Writing Books: My Journey as an Author in America
I stood in front of thirty high school students one Tuesday morning. They looked at me. I looked back. A kid in the third row asked, “Have you ever written a real book?” The room fell silent. I hadn’t, not yet. That question stayed with me for years.
My journey to writing books was not easy. I was a math teacher for over 25 years. The dream of writing books was always in my mind, even before I started. I got my MFA in 2009 and took a writer-in-residence spot on Cape Cod in 2012. I built my career one odd job at a time.
My first big chance wasn’t the novel I dreamed of. It was a Captain Jack Sparrow handbook. Then came Slappy’s Revenge for Goosebumps. These jobs taught me discipline, craft, and speed.
This is my story of becoming a published author in America. It’s full of twists and turns. But it’s real. And if you dream of writing books, you’ll see yourself in these pages.
Key Takeaways
- Becoming an author often takes years of unexpected twists — not a single breakthrough moment.
- Writing books can start with work-for-hire projects like media tie-ins before original works.
- A full-time teaching career and authoring a book can coexist with the right mindset.
- An MFA degree helps but doesn’t guarantee a publishing deal on its own.
- Freelance writing, odd jobs, and persistence build a sustainable writing life.
- Your unique background — even teaching math — gives your writing a voice no one else has.
The Dream That Started in the Classroom
Every year, I ran an exercise with my students that would later change my life. I told kids they could be anything they wanted. I urged them to dream big and write those dreams down. Yet, I ignored my own advice about writing a book.
My “All About Me” Teaching Exercise
The exercise was simple. Each student filled out a sheet listing their goals, hobbies, and dreams. I did mine right alongside them. On my list, I wrote become a principal, become a professor, and write a book. That last one sat there year after year, never crossed off. The book writing process felt distant, like something reserved for other people.
When Students Asked the Hard Questions
Kids have a way of cutting through excuses. One day, a student raised her hand and asked if my book would be at our class book fair. I stumbled over my words. I didn’t have a book. That moment stung because it created a sense of accountability I wasn’t ready for.
Carlos and the Book Fair Challenge
A student named Carlos pushed me even further. He asked a simple question: “If writing a book is your dream, why haven’t you done it?” I gave some vague answer about being busy. He looked at me and said something I’ll never forget.
“It’s okay to be afraid, but you still gotta try.”
That line from a fourth grader became the spark I needed. Here’s what my “All About Me” sheet looked like for years:
| Dream | Status | Years on the List |
|---|---|---|
| Become a principal | In progress | 3 |
| Become a professor | In progress | 4 |
| Write a book | Not started | 7 |
I had been teaching students how to write a book report, how to tell their stories, and how to believe in themselves. The book writing process was something I preached but never practiced. Carlos changed that. His words gave me permission to stop waiting and start writing.
Why I Initially Failed to Start Writing Books
I finished my MFA in 2009 with big dreams. I wanted to be a published author. I had the degree, passion, and ideas. But, writing a first book needs more than just wanting to.
Teaching Full-Time While Dreaming of Authorship
I moved back to the DC area, a very expensive place. I couldn’t afford rent on my own. So, I took a job teaching high school math full-time.
My days were long and tiring. I spent hours teaching math to students who didn’t want to learn.
By evening, I was too tired to write. My dream of writing was just a quiet wish.
One honest tip for writing a book is this: you need a plan to make it happen.
The Summer Writing Plans That Never Happened
Every spring, I made the same promise to myself. “This summer, I’ll write.” But every summer, something else came up.
I needed extra money, so I worked at a tutoring center. Money always won over my manuscript.
“You can always make more money, but you can never make more time.” — A lesson I learned the hard way.
Three summers went by without writing a single chapter. I wasn’t failing because I lacked talent. I was failing because I didn’t plan.
Making Excuses Instead of Making Time
Self-doubt made things worse. I thought I wasn’t ready. The excuses piled up fast:
- I was too tired after teaching all day
- I needed more financial stability first
- My ideas weren’t strong enough yet
- I’d start “next month” or “next year”
Looking back, I see that writing a first book doesn’t need perfect conditions. It needs courage to start despite imperfect ones. My early failures taught me a valuable lesson: stop waiting for the right moment. Make the moment right by showing up.
My Year on Cape Cod: The Writer-in-Residence Experiment
In 2012, a friend got tired of my complaining. I always said I had no time or energy to write. So, she offered me a guest bedroom on Cape Cod to write full-time.
I had a big plan. I would write a novel, find a literary agent, and become a full-time author in one year. I had read many creative writing books and felt ready. I thought the universe was guiding me.
I did write a novel. Every day in that quiet room on Cape Cod, I wrote. The story came alive, and I felt accomplished. But I didn’t know I needed to revise it more.
“A year is all I need to make this work.”
Agents asked for my work, but none signed me. Becoming an author took longer than I thought.
It took me until 2014 to find an agent. This delay taught me about the time needed for craft and revision.
- I wrote a complete novel draft during my Cape Cod residency
- I queried agents too early without deep revision
- I received interest but no representation in that first year
- The agent connection came in 2014, not 2012
That Cape Cod experience wasn’t a failure. It was the start. My novel needed more work, and so did I. Becoming an author takes patience, something I learned later.
Breaking Free from the “One Year to Make It” Mentality
I set a goal for myself on Cape Cod. If I didn’t become an author, I’d go back to teaching. This pressure was meant to motivate me, but it almost broke my spirit. Writing a book is not a race with a clear end. It’s messy, unpredictable, and doesn’t fit neatly into a calendar.
Why Arbitrary Deadlines Don’t Work
Before Cape Cod, I aimed to be published by 30. That deadline passed. In 2014, an agent signed me for my first fifty pages. I was excited, but my full manuscript needed a lot of work. A year of revisions followed, and by 2015, we parted ways.
Self-imposed deadlines ignore the reality of how creative work actually unfolds. They make you feel like you’re in a pass-or-fail test that doesn’t measure growth.
The Reality of Publishing Timelines
The publishing world moves at its own pace. Podcasts like The Long Road to Publishing show the truth. Most authors don’t make a living from writing alone. Here’s a quick look at what’s expected versus what really happens:
| Expectation | Reality |
|---|---|
| Finish a book in one year | Revisions alone can take a year or more |
| Agent signs, book sells fast | Agents may part ways before a sale happens |
| Published by 30 | Many debut authors publish in their 40s or later |
Learning to Play the Long Game
I had to let go of the “one year or bust” mindset. Writing a book meant accepting my own timeline. It became about showing up every day, not rushing. This change helped me a lot.
My First Book: Captain Jack Sparrow and Unexpected Beginnings
I thought writing your first book would be a big, personal event. I dreamed of writing a novel that would make critics cry. But reality had other plans for me.

My first book was The Captain Jack Sparrow Handbook, published in 2011 by Quirk Books. This was the same publisher of Pride and Prejudice and Zombies. It was a funny guide to piracy.
The book mixed real pirate stories with the magical world of Pirates of the Caribbean. It came out when On Stranger Tides was released.
I got the chance through a magazine editor I knew. She had moved to Quirk Books and thought of me. I said yes without thinking too much.
“Sometimes the door to your dream career opens in a room you never expected to enter.”
I had five weeks to write the whole book. The pay was a few thousand dollars. That was a lot to me.
Writing in Captain Jack’s voice was hard. I had to make every sentence sound like him. I watched the movies, learned his way of speaking, and put his spirit into the book. It was a job, not a prize-winning novel. But it was a real published book with my name on it.
- Five-week deadline from start to finish
- Written entirely in first person as Captain Jack Sparrow
- Mixed historical pirate facts with fictional movie lore
- Published by Quirk Books in 2011
Was this the book I dreamed of writing? No. But writing your first book is never what you imagine. That project opened a door I’d been trying to open for years. And I walked right through it.
How Media Tie-Ins Became My Gateway to Publishing
Not every book starts with a new idea. Sometimes, it’s based on someone else’s characters. Media tie-in books showed me a new path. After my Captain Jack Sparrow project, I saw it as a real career.
Media tie-in books are huge. Star Wars novels have sold over 125 million copies since 1976. Max Allan Collins’ Dick Tracy novelization sold a million copies. Even small franchises can sell 100,000 to 200,000 books.
Working with Quirk Books
I met Quirk Books, known for unique projects. They let me try work-for-hire assignments. These paid upfront, with no royalties. This gave me financial stability.
I refused to hide my name. When the Captain Jack Sparrow Handbook came up, I was offered a pseudonym. I said no. I wanted my real name on all my work.
The Five-Week Writing Sprint
Some projects had tight deadlines. I once wrote a whole manuscript in five weeks. This taught me discipline and to trust my instincts.
Finding Pride in Work-for-Hire Projects
Groups like the International Association of Media Tie-In Writers (IAMTW) support this work. Tie-in writing isn’t less important. It improved my skills and gave me time for original work.
“Every book you finish — whether it carries your characters or someone else’s — makes you a better writer.”
Whether you’re self-publishing or seeking traditional deals, tie-in work is a good start. It was for me.
Discovering My Voice Through Dyslexia and Self-Doubt
For years, I thought I wasn’t smart enough to write books. A learning disability I didn’t know I had made me doubt myself. This invisible weight followed me, making every writing attempt hard.
Flunking College English
I failed college English. Not just a little — I flunked. The red marks on my papers made me think I wasn’t cut out for writing. I saw classmates do well, while I struggled for hours.
This experience left me feeling ashamed. I thought real writers always did well in English class. But now I know that’s not true. Your life story is what matters, not your grades.
Late Diagnosis and New Understanding
Years later, I found out I had dyslexia. Suddenly, all the struggles made sense. I wasn’t lazy or dumb. My brain just processed words differently.
This new understanding changed how I saw writing. It made me more empathetic towards characters who feel like outsiders. It also made my writing uniquely mine — raw and honest.
Every aspiring writer questions whether their story matters, whether they’re original enough, whether they belong. Those doubts never fully disappear.
Becoming an author isn’t about passing tests. It’s about a story that grabs you and refuses to let go. Writing comes from living, falling, getting diagnosed, and still writing. That’s the real book writing tip: your struggles are your best material.
Building a Life Around Writing
I made a choice that scared me. Instead of going back to full-time teaching, I decided to build my entire life around writing. I didn’t have an agent. I didn’t have a book deal lined up. I just knew that if I wanted to learn how to write a book — really learn — I had to give it space in my daily routine.
So I cobbled together a patchwork of flexible gigs. I created math curriculum for education companies. I tutored kids after school. I picked up part-time work at a local school, taught writing classes, and even hosted bar trivia nights. None of these jobs were glamorous, but each one gave me something precious: mornings free to write.
Every weekday, I sat down for a few hours before my other jobs and worked on my projects. Reading creative writing books during breaks kept my craft sharp. Writing became as routine as brushing my teeth — not something I squeezed in when I felt inspired, but a non-negotiable part of my day.
“You don’t find time to write. You make time to write.”
Getting married brought an unexpected gift: health insurance through my spouse’s job. That single change removed a huge weight from my shoulders and let me keep betting on this freelance life.
| Freelance Gig | Schedule Flexibility | How It Supported Writing |
|---|---|---|
| Math Curriculum Creation | High — remote deadlines | Kept mornings open for drafting |
| Tutoring | Medium — afternoon sessions | Steady income, short hours |
| Part-Time School Work | Medium — set days | Provided structure and social contact |
| Teaching Writing Classes | Medium — evening slots | Sharpened my own craft through instruction |
| Bar Trivia Hosting | High — weekend nights | Fun creative outlet and extra cash |
This patchwork life wasn’t easy. But it taught me that learning how to write a book is about commitment, not perfection. I surrounded myself with creative writing books, carved out consistent hours, and treated writing like the career I wanted it to become — long before anyone else did.
The Creative Writing Process That Finally Worked for Me
Finding a rhythm for writing books took years. I had to stop waiting for perfect conditions. I started building a process around my messy life. Once I did, everything shifted.
Morning Writing Sessions Before Other Jobs
I became a morning writer out of necessity. I woke up early to write before other jobs. Those quiet hours were gold. No emails. No distractions. Just me and the page.
This routine helped me make steady progress. Even on slow days, I showed up. Consistency was key, not inspiration.
Cobbling Together Freelance Income
I left my job at The A.V. Club to freelance full-time. This scared me. I made a living through various gigs:
- Freelance music journalism for various publications
- Editing work for online outlets
- Odd creative projects that kept the lights on
These jobs didn’t pay enough alone. Together, they gave me the freedom to write books and grow as an author.
From Bar Trivia Host to Published Author
At one point, I hosted bar trivia nights to make rent. It sounds funny now, but it kept my writing alive. Every side gig bought me more desk time.
The best writing routine is the one you can actually stick with — not the one that looks good on paper.
My time at The A.V. Club was a springboard. It sharpened my voice, taught me deadlines, and connected me to publishing. This experience gave me the confidence to bet on myself — and it paid off.
Great Teachers Eat Apples: A Decade in the Making
Some stories take their sweet time. Great Teachers Eat Apples was inside me for over ten years. It was my first book, and it was different from any other project.
Do you remember those students who doubted me? They made me want to write this book. Their questions led me to TED Talks and speaking gigs. Their faces kept me going as I wrote and rewrote.
This book was about my classroom stories. I had to share every moment, good or bad. It was a journey of honesty.
This book was a chance for me to share my unique voice. No franchise or tie-in. Just me, my story, and my truth. Building that kind of vulnerability takes time.
Here’s how the journey went:
| Phase | Timeframe | Key Milestone |
|---|---|---|
| Initial concept | Year 1–3 | Early drafts based on classroom stories |
| Voice discovery | Year 4–6 | TED Talks helped shape the narrative tone |
| Deep revision | Year 7–9 | Stripped away surface-level writing for raw honesty |
| Manuscript preparation | Year 10+ | Preparing for publication with an authentic voice |
Now, I’m getting ready to publish this book. Writing a book this personal taught me patience. The decade was worth it. Every year made the book deeper.
Lessons from the Publishing Journey
Being an author is not always easy. My journey has had ups and downs. Each setback taught me something new for the next book.
Failed Book Proposals and Long Pauses
I’ve lost count of failed proposals. Some just disappeared. Others got nice but firm rejections.
There were times when I didn’t write for months or even years. It felt like a failure then. Now, I see it as part of the process.
Finding My Authentic Voice
My first book took just 30 days. It changed how I saw myself. It opened doors to new opportunities.
But then, I started helping others write more than my own stories. I had to find my own voice again.
Not every story is ready the moment you sit down to tell it. Some truths need time to ripen.
Why Some Books Take Longer to Write
Some books are harder to write. They make you face uncomfortable truths. The emotional weight of a book affects its timeline.
| Factor | Fast-Draft Books (Under 2 Months) | Slow-Burn Books (1+ Years) |
|---|---|---|
| Emotional Depth | Low to moderate | High — personal or vulnerable topics |
| Research Needed | Minimal | Extensive interviews or lived experience |
| Creative Certainty | Clear outline from the start | Voice and structure evolve over time |
| Writer’s Energy | Focused sprint | Sustained effort through doubt |
Every book has its own pace. Rushing doesn’t always lead to the best work. Let your story set its own timeline.
The Transformative Power of Becoming an Author
Writing my first book in 30 days changed everything. It wasn’t just about holding a finished manuscript. My entire sense of who I was shifted. I stopped calling myself someone who “wanted to write” and started saying, “I’m an author.” That shift in identity opened doors I never expected.
Writing books gave me a new lens for seeing my life. Opportunities started showing up — coaching, podcasting, speaking engagements, conversations with thought leaders I admired. None of that existed before I put my story on the page. The act of creating something real gave me credibility and confidence in equal measure.
One of my favorite book writing tips is this: the process matters as much as the product. Becoming an author isn’t just about publishing. It’s about finding your personal truth and having the courage to share it with the world. That journey makes you more fully yourself.
“There is no greater agony than bearing an untold story inside you.” — Maya Angelou
Your story can change your life. It can change someone else’s life too. The message sitting inside you right now needs to be written — without delay, without excuses.
| Before Writing Books | After Writing Books |
|---|---|
| Self-doubt about creative ability | Strong sense of identity as an author |
| Limited professional opportunities | Coaching, podcasting, and speaking invitations |
| Fear of sharing personal truth | Courage to be vulnerable and authentic |
| Isolated creative dreams | Engaged community of readers and peers |
The best book writing tips won’t matter if you never start. Transformation begins the moment you decide your story deserves to exist. Mine did — and so does yours.
Essential Book Writing Tips I Learned Along the Way
After years of trying, I learned some key book writing tips. These tips didn’t come from fancy classes. They came from my real-life experiences of failure, fear, and showing up.
Start Before You Feel Ready
Wondering how to write a book? My top tip is: don’t wait for permission. You don’t need to be younger or more experienced. I thought I wasn’t ready for years. But the truth is, you get ready by starting.
“You don’t start writing because you’re ready. You become ready because you started.”
Embrace Your Unique Perspective
Your story is special because no one else has lived it. My dyslexia was once a barrier. But it became a gift that shaped my writing. Your challenges and background make your writing unique.
Build Writing Into Your Daily Life
To write a book, make writing a daily habit. Even 30 minutes a day can make a big difference. Here’s what worked for me:
- Set a consistent writing time each day
- Protect that time like any important appointment
- Write even when inspiration feels absent
- Track your daily word count to stay motivated
Accept That Expertise Comes from Living
You don’t need a degree to be an expert in your story. Expertise comes from living, observing, and caring enough to share. Face your fears. Find your message. That’s the journey every writer takes.
Self-Publishing vs Traditional Publishing: My Experience
I’ve tried both self-publishing and traditional publishing. Self-publishing gave me speed and freedom. Traditional publishing gave me reach and credibility. Each path taught me a lot about writing books.
Working with Big Publishers
Authors like Vanessa Riley show self-publishing can open doors. She self-published books with Black female leads when big publishers said no. Now, she publishes with big names. Her book Island Queen was a GMA buzz pick, and Queen of Exiles was picked by ABC’s The View.
Wendy N. Wagner wrote Pathfinder novels for $5,000 each before her original book An Oath of Dogs was published. Jason Heller did work-for-hire jobs with Quirk Books and Scholastic. These experiences showed me there’s no one “right” way.
Understanding the Business Side
The money differences between self-publishing and traditional publishing are big. Knowing this changed how I wrote for each project. Here’s a comparison based on industry data comparing self-publishing and traditional:
| Factor | Traditional Publishing | Self-Publishing |
|---|---|---|
| Upfront Cost to Author | $0 | Editing, cover design, marketing |
| Typical Advance | $1,000–$10,000 | No advance (you earn from sales) |
| Ebook Royalties | Net profit after earn-out | 35%–70% |
| Time to Publication | ~2 years | As fast as you’re ready |
| Creative Control | Shared with publisher | 100% yours |
| Marketing Support | Publicist and team assigned | Author manages everything |
| Bookstore Distribution | Wider placement potential | Requires independent effort |
The best publishing path is the one that fits your goals right now—not someone else’s definition of success.
My advice? Start with what gets your words into readers’ hands. You can always change strategies as your career grows.
Creating Community and Supporting Other Writers
Writing can feel lonely. I worked alone for years, struggling with drafts. This made me want to connect with other writers and help them.
My podcast, Authors Who Lead, and its community offer support. I wanted to give what I wished I had when starting. Reading books helped, but talking with writers pushed me more.

At the World Science Fiction Convention, I was on a panel about tie-in writing. The audience was excited. They saw it as a real way into the industry.
My niece Hazel shared my books at school. She talked about being a writer to her class. This showed me how important community is.
Groups like the International Association of Media Tie-In Writers help writers worldwide. They have leaders like Max Allan Collins and Lee Goldberg. Here are ways to find your community:
| Community Type | Examples | Best For |
|---|---|---|
| Writing Conferences | World Science Fiction Convention, AWP Conference | Networking and industry insights |
| Professional Organizations | IAMTW, Authors Guild | Craft development and advocacy |
| Online Communities | Membership groups, writing forums | Daily accountability and feedback |
| Local Workshops | Library programs, MFA residencies | Hands-on creative writing books discussion |
No writer is alone. The journey to becoming an author is supported by those who cheer and challenge you.
Conclusion
My journey from teacher to author was not easy. I faced many setbacks, like failed writing plans and a late dyslexia diagnosis. But I learned that writing your first book is simple: just start.
Writing can take many paths, like media tie-ins or self-publishing. The most important thing is to write every day. You don’t need to feel ready or qualified. Your life stories and views are worth sharing.
I used to make excuses for not writing. But I finally made writing a big part of my life. If a story is calling you, answer it. It might take years or just weeks to write your first book. The time doesn’t matter as much as starting.
Writing changed how I see myself and the world. It can do the same for you. Don’t wait for permission. Your story is ready to be told.


